ternary form การใช้

• Sonata form shares characteristics with both binary form and ternary form.
• The first part of the first movement is in ternary form.
• The movement is presented in ternary form, another neoclassical influence.
• Chopin's 閠udes are largely in straightforward ternary form.
• The piece departs from the usual ternary form in a Chopin nocturne.
• The Notturno is in extended ternary form ( ABABA ).
• The movement of ternary form ends by melting into dream.
• The piece is in ternary form with a coda.
• The third movement is also in ternary form, but with a variation.
• But the second section eventually expanded, resulting in a kind of ternary form.
• The third movement is also in ternary form.
• This particular movement is in compound ternary form.
• The third movement is in ternary form, consisting of a scherzo and trio.
• The third, slow movement is in an extended ternary form, with coda.
• The movement is cast in through-composed ternary form ( ABA ) with coda.
• The second movement is in ternary form.
• It is written in conventional ternary form.
• The first part closes with a " florid " soprano aria in modified ternary form.
• This introduction is followed with ternary form with return above an ostinato of Sicilian rhythm.
• In this usage, only the fractional part of the number is written in ternary form.